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The South and most prestigious Gate into the Imperial Palace was the huge front gate, the Meridian Gate or Wumen, where only the Emperor himself was allowed to pass through the central one of the five portals. The entire palace is organized along a central north-south (meridian) axis, which goes clear through the middle of these five portals of the gate. When coming back into the Palace, after having performed any of the important sacrificial ceremonies at any of the huge altars outside the Palace, the Emperors way was then through this mid portal, continuing over the central of five bridges and then being carried over a huge marble rock in the foreground of this picture, with carved dragons. This mid part of the staircase lacks steps, so that no evil spirits could follow him. This route would eventually lead to the three big halls that make up the main part of the Outer Court. These three halls are the Hall of Supreme Harmony, the Hall of Central Harmony and the Hall of Preserved Harmony. These halls would be where the Emperor received high officials, accepted tribute and conducted the administration of the empire. Seen from above these three halls are organised as three jade discs on a string seen from the side, making up the Chinese character wang as in 'emperor'.


Standing on the balcony of the huge pavilion on the top of the Wumen, still facing out and further South, this would be the exact spot where the Emperor stood when celebrations of victory, ceremonies to accept prisoners of war and announcements of new calendars, took place on the courtyard down outside. On each side of the gate there are two large wings, on top of which there are two pavilions. In the east one (left), drums were installed that were beaten when the Emperor went to perform sacrifices at the Temple of the Ancestors. In the west pavilion (right) there were bells, who were rung when the emperor went to the Temple of Heaven. In the far distance still further south is the outer Tiananmen, 'Gate of Heavenly Peace' and outside of that, the Tiananmen Square. To the left in the far distance today is the the National Museum, to the right, the National Congress building and hidden behind the gate itself - also symbolically placed on this central axis, is the Mausoleum of former Chairman Mao.

Today 'Meridian Gate' is the name of the highest sponsor's rank at the Gotheborg.com Discussion Board followed by the 'Gate of Divine Might', the Shenwumen and the 'Western Flowery Gate', or Ximen. The last 'East Flowery Gate' or Donghuamen, is from 2007 for monthly subscriptions and occational support and donations below the rank of West Flowery Gate.



Meridian Gate Level


Benedikte Juliane Aakirke, Denmark
John Limbert, Canada
Lex Burkett, United States
Betty Nielsen, Denmark
David Lynn Upham, Taiwan
Scott Loar Satterfield, United States
William Campbell, Canada
Luca Meacci, Italy
Ulf Jerndal, Sweden
Lynne Mysliwiec, United States
Diego Vatta, Italy
Daniel James Lea, Singapore
Peter Lindqvist, Finland
Phil & Hazel Mei Wan Ho, Hong Kong
Michael Donoghue, United Kingdom
Joshua Chamberlain, United States
Stevenson Bajet, Philippines
Jerry Milatz, United States
Joan Brandlandkamer, United States
Kevin Hawco, United Kingdom
Lee Inness-brown, United States
Walter Susor, United States
Loke Fook Cheong, Singapore
Laurie Petrie, United States
Giovanni Repetti, Italy
Roxanna Brown, United States
John Williams, United Kingdom
Timothy P Roberts, United States
Tom Atkins, United Kingdom
Clive Blunt, Great Britain


Gate of Divine Might


In the northern part of the Forbidden City and behind the Outer Court lies the Inner Court where the Emperor and his family had their personal quarters. The scale of things are more human if one might say so. The pavilions and gardens are mostly one or two storeys and the private quarters of the Imperial family are modest, as far as Emperors goes. In many ways it feels like you could move right in. The studio where the Qianlong Emperor sat and discussed art and literature with the foremost intellectuals of his time feels nice and comfy. The area consists mainly of the Palace of Celestial Purity, the Palace of Terrestrial Tranquility, the Hall of Celestial and Terrestrial Union, six courtyards to the east and six to the west.
The Gate of Divine Might shen wu men connects the Inner Court directly with the market area to the north of the palace.

Gate of Divine Might Sponsors


Martin Hainsworth, United Kingdom
Thong Yok Ngiam, Singapore
Quemoy Company Inc., United States
Patrick Parker, United States
Matt Hedrick, United States
Ron Williams, United States
Douglas Logan, United States
Dean Kelly, United States
David Griffel, United Kingdom
Michaela Russell, Australia
Ronald Forbes, Canada
Paul Seno, Australia
Jinlin Tong, United States
Sharon Sykes, Hong Kong
Thomas Schmidt, Germany
Jose Ramon Fuente Garcia Portilla, Spain
Andy Saylor, USA
Anna Lavrentyeva, Russia
Ulf Jansson, Sweden
Orvis Hollevoet, United States
Pahrul Asapil, Australia
Roger Hall, Indonesia
Leo Poortvliet, Thailand
Linda Longoria, United States
Garfield Beckstead, United States
Donald Grant, Australia
Dimitri Poliakoff, Belgium
Malcolm Saul, United Kingdom
Peter Michaels, United Kingdom
Johanna Manoppo, Indonesia
Gregory Whitifield, United States
David Wolf, United States
Gary Kostka, United States
Henrietta Brown, United States
Ian Rodgers, United Kingdom
Steve Gorth, United States
Michel Cardinal, Canada
Edmund Grundner, Austria
David Lane, United States
Andreas Aigner, Belgium
Gail Hughes, United States
Brent Haynes, United States
Brenda Michaels, United States
Graham Smith, United Kingdom
John Guillory, United States
Trevor Kroemer, Sweden
Larry Stewart, United States
Mr J M Horne, United Kingdom
Keith Jennings, United States
Mohd Effendy Rajab, Singapore
Bryan Skuce, Canada
Roberta Hancock, France
Linda L Grant, United States
Cyril Dennis, United Kingdom
Neil Mackay, United Kingdom
Chou-zen Giam, United States
Laurent Santiago, France
Linda Halterman, United States
Irfan Maghribi, Indonesia
Henry Poston, United States
Angelia Soh, Singapore
Katherine Griffith, United States
Mary Susan Wehmeier, United States
Natalie Brookes, Australia
Tobias Asser, United States


The West Flowery Gate


The Ximen or the West Flowery Gate is considerably less grand than the South and the North. On the other hand this was the everyday practical entrance for the entire staff working on the west side of the palace ground, since nobody were allowed to cross the central line through the palace but the Emperor and possibly the family and the highest of the officials. This was also the entrance through which the Imperial family members used when going to the Summer Palace for grand celebrations or for entertainment.


Close inside of the entrance portal in the West Flowery Gate.


As you percieve it when approaching the Imperial Palace, this would be the left side of the Forbidden City. The actual Western Gate is located along the western (left) side of the Palace, closer to the main entrance at the South side of the Palace than to the North Divine Might entrance. When looking like this along the moat towards north, the northwestern corner watchtower is barely visible in the far distance. In the background you can see the partly 'man made' Coal Hill, where the last emperor of the Ming Dynasty hung himself when all was lost for his dynasty.

The West Flowery Gate Sponsors


John Steinman, United States
Fw Reck, United States
Gordon Ashby, Canada
Alex Lenehan, United Kingdom
T L De Bruijn, Netherlands
Shumang Fredlein, Australia
Pietro Amadini, Italy
Ann De Smedt, Belgium
Ted Lively, United States
Ajpp Banck, Netherlands
Allan Cradduck, Canada
Julian Chen, United States
Andre Henkemans, France
Steve Decatur, United States
Dung Nguyen, United States
Antonio Castro, France
Christine Corvin, United States
Lee Waldroup, United States
Fran Elliott, United States
Rena Aiken, United States
Michael Kwan, Canada
Gabor Palfi, Hungary
Rory Fletcher, Australia
Brenda Patterson, Australia
Tove Chatham, United States
Carl Webright, United States
Thomas Gaudet, United States
Marilyn Armstrong, United States
David Dixon, United Kingdom
Mary Campbell Fisher, United States
David Wood, New Zealand
A De Ruijter, Netherlands
David Raymond, United States
Imre Somorjai, Hungary
Carol Forest, United States
Koh Nai King, Singapore
Arlene Pennington, United States
Michel De Groot, Netherlands
Patricia Estrada, United States
Byron Newland, United States
Carl Wantrup, Australia
Louis Rosenberger, United States
Karen Weldon, United States
Maria Marchiori, Italy
Paulette Hennen, Belgium
Mary Shepard, United States
Ian Parker, Malaysia
Thomas Nilsson, Netherlands
Tan Kean Tatt, China
Wlodzimierz Pawlowski, Poland
Ellis Westley, United States
Martin Ward, New Zealand
Kirsten Rabe, United States
Bai He Wei, Canada
John Shenton, Canada
Marianne Briner, Switzerland
Garrett Mccormack, United States
Jukka Siren, Finland
Felice Chen, United States
Noel Ice, United States
Greg Ricciardi, United States
Dorr Eddy, United States
Elin Gjertsen, Norway
Giel Louws, Netherlands
Lars-Åke Öhlén, Sweden
Don Burke, United States
Joseph Ponnou, United Arab Emirates
Merrick Hazan, Indonesia
Carlos Coelho, Portugal
Chan Kok Hin, Malaysia
Hoong Cheong Chew, Malaysia
Cristina Lopez, United States
Daniel Deman, Belgium
Kathy Murphy, United States
Lloyd Hoo, United States
Danilo Centeno, United States
Lutz Slomianka, Switzerland
Robert Cole, Ireland
Jean Ulrich, Switzerland
Mordehai Milgrom, Israel
Katarina Arre, Sweden
Howard Reed, Australia
Zbigniew Roman, Poland
Diane Cann, United Kingdom
Lisa Wolverton, United States
Julie Brown, United States
Michel Collet, Australia
James Hillard, United States
Wendy Fissel, United States
Mel Greenberg, United States
Barbara Cochrane, United States
Monique Lefebvre, Belgium
David Stevens, United States
Paul Dimauro, United States
Robert Galli, United States
Kevin Imper, United States
George Hoffman, United Kingdom
Michael Calhoun, United States
Ambrose Nathan, Malaysia
Timothy Hartill, United States
Urmas Veri, United States
Robert Lindley, United States
Ricardo Simões, Portugal
Karl E Strømstad, Norway
Rick Hennelly, United Kingdom
Aykut Gurcaglar, Turkey
Roger Blackman, United Kingdom
Vernon Reynolds, United Kingdom
Rolando Berrios, United States
John Birkinbine Ii, United States
Betsy L. Strader, United States
Martin Danielse, Netherlands
Edward Wurzel, United States
Alan Walker, United Kingdom
Jörg Arend, Germany
Lee Kuckro, United States
Thomas Dolan, United States
Arno Jacobs, Netherlands
Paul Gill, France
Christopher Whittell, United Kingdom
Duff Spafford, Canada
Peter Combs, United States
George T Huddleston, United States
Joanna Bradshaw, United Kingdom
Robin Miller, United States
Nigel Kent, Netherlands
Emil Meyer, USA
David Lim, Singapore
Elisabeth Wells-parker, United States
Samantha Lewis, United States
Jacqueline Churchill Beckwith, United States
Karin Nakazawa, United States
Mike Harty, Australia
R M Rufsvold, United States
Doug Wilson, Canada
Holger Luther, United States
Renyuan Li, Canada
Renee Gagliardo, United States
Ralph Papandrea, Australia
Linda Hendrickson, United States
Gerard Lin, Singapore
Richard Hjelmstedt, Sweden
Allan Wilson, United States
Ye Chen, Canada
Hoi Che Lee, Hong Kong
Tammy L Greenspon, Hong Kong
Ronnie Cotty, United States
David Hsu, United States
Diana Proulx, Canada
Santo Sottilare, United States
Heng Derrick, Singapore
Michelle Kelley, United States
Philip Krauthoff, United States
Makmun Gumay, Indonesia
Daniele Turriani, United Kingdom
Francisco Rivero Moron, United States
Eddie Green, United States
Maureen Dutler, Australia
Priscilla Bown, United States
Deluxe Bun, Malaysia
Marianne Sanders, United States
Katharina Kadel, Germany
Laura Laine, United States
Judy Pilley, United States
Jean Claude Estival, France
M A Den Hoed, Netherlands
Peter Tien, Jr, United States
Harrison Arnold, United States
Scott Johnson, Canada
Robert Pierce, United States
Terence Smith, United Kingdom
Joshua Carpenter, United States
Philomena Flaherty, United Kingdom
Lyndsey Lieb, United States
James Tingle, United States
Edgar Dietrich, United States
Simon Breider, Netherlands
Jennifer Zuo, United States
Jerri Dodd, United States
Carol P Vetter, United States
Ann Exline Starr, United States
Ludo Poisson, Belgium
Laura Laine, United States
Joo Chuan Goh, Singapore
Aleli Estiva Ramos, Philippines
Holly Koenig, United States
Suzanne Curran, United States
Susan Griffith, United States
Michael Welch, United States
Xingjia Cui, United States
Nigel Matthews, Canada
Gene Miller, United States
Jorge Padron, Argentina
Wolfgang Altmann, Germany
Chantele Tomlinson, United States
Dennis Lukasczyk, United States
Heidi Fuller, United States
Lena Lucas, United States
Budiman Darmansjah, Indonesia
Paul Bennie, England


The East Flowery Gate


First time I actually came to the Forbidden City in a car, it was through this gate. For those who have not entered here, it is not exactly just a gate and then you are 'inside' something, well, in a way you are, but the Palace Grounds are so large that when you enter here you actually comes into a small suburb with large trees and garden areas and with numerous small and large pavilions. It just continues and continues and it takes quite a while before you recognize where you are and enter the palace grounds, just inside the Wumen Gate.


It is hard to tell how this could have looked a few hundred years ago but in reality the Palace ground was a working place and quite a lot of areas was set aside for stockpiling and workshops for building upkeep, as it is today, and also the production of all kinds of necessities for the city inside the walls. It is easy to feel that this, including the work of administrating a huge empire, was going on inside this gate.


East Flowery Gate - Donghuamen - and its bridge over the palace moat, the couple at the rail are looking towards north.

The East Flowery Gate Sponsors


G C Clery,
James Edward Barker, England


 


 

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All text pictures on this page copyright © Jan-Erik Nilsson, Gotheborg.com, 2006, 2007, 2008