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The 'Rose Medallion' family of patterns
Between the years 1840 and 1880 the Mandarin style pattern suddenly changed. By the addition of a dense flower tendril and gilt border it developed into a more or less firm style we now recognize as the Rose Medallion family. This family included endless variations around certain main themes as 'Rose Medallion', 'Rose Mandarin', 'Rose Canton', 'Cabbage' and the 'Bird and Butterfly' patterns. All made exclusively for export. Around 1860-80 variations of these decoration also appeared against a celadon ground. By the end of the 19th century the popularity dwindled to gain popularity again in the early 20th century, now with a brighter palette. The most typical pattern is based on four alternating panels around a central gold circle, separated by gold and green enameled scrollwork vines, and flying "Fu" bats, a symbol for good luck and happiness. Almost infinite variations are found within this theme of gold, green wines and good luck symbols. Often a group of mandarins and ladies occur which almost certain are fetched from the Qing dynasty period story, the Dream of Red Mansions. The higher qualities are signified by more exquisite details inside the medallions and softer and more balanced colored enamels.
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