![]() This entire marks section would not have been possibly without the dedicated help of Mr. Simon Ng (right), City University of Hong Kong, whose translations and personal efforts in researching the origin and dates of the different marks have been and remains a necessary resource. To the left, porcelain merchant Mr. Kung, Hong Kong. Former owner of the Waa Lee porcelain company. |
The only rule that is really certain when it comes to Chinese porcelain marks, is that most of them are NOT from the period they say. Still the marks are something of a fingerprint of the potter and its time, and from a careful study they offer a great help in identifying the date and maker of most Chinese porcelain. Offered here is an attempt to identify some of the marks on mostly late, trade and export quality porcelain. Under the MING and QING sections, there are separate pages dedicated to genuine Imperial marks only, but it is still not the main concern of this section.
Unfortunately I have no further information on the marks published here, or of similar marks but not published here, than what is already here to read. For further discussions on antique Chinese and Japanese Ceramic Art you are most welcome to visit the [ Gotheborg.com Discussion Board ].
If you would like my personal help or opinion on something there is a possibility to email me a question, send any number of pictures you like, and help support the site at the same time. Click here to [ Ask a Question ].
This page was originally set up to create a tentative chronology of 20th century Chinese Porcelain based on their marks. The periods of the 20th century I am currently trying to differentiate between are so far:
Jan-Erik Nilsson
gotheborg.com
| Bleu de Hue (Fr.) | |
|---|---|
| 19th century Chinese export porcelain for the Vietnamese market. See Glossary: Bleu de Hue for more information. | |
|
641. Mark reads Nei Fu, can be translated as "Inner Court". On Chinese "Bleu de Hue" porcelain, for the Vietnamese market. Mid 19th C. |
|
642. Mark reads Nei Fu, can be translated as "Inner Court". On Chinese "Bleu de Hue" porcelain, for the Vietnamese market. Late 19th C. |
|
1276. Bowl. Mark reads Nei Fu, can be translated as "Inner Court". On Chinese "Bleu de Hue" porcelain, for the Vietnamese market. Mid 19th C. |
|
1277. Dish. Chinese "Bleu de Hue" porcelain, for the Vietnamese market. 18h century. |
| Brown etched marks (Continue to section ->) | |
|---|---|
|
307. Chenghua Nian Zhi (Chenghua Period Make). Late 20th century, post "Cultural Revolution". |
| "CHINA" | |
|---|---|
| The traditional wisdom has it that between around 1890 until c. 1920 all Chinese items that were to be imported into the US was required to be marked with the word "CHINA" as the country of origin (U.S. Stamp Act of 1894). Quite some uncomplicated research i. e. searching on the Internet confirms that this was not entirely true. Some were marked and some not. It is also far from certain that the practice of marking porcelain with the word CHINA actually ended in the 1920. Some porcelain I have found in Singapore marked in such way, the dealers have been very adamant that it dated to the 1970s. From 1919 the word "CHINA" should have been replaced by the phrase "Made in China" but despite this the single word "CHINA" occurred on pieces made well in to the 1960 and 1970s especially if other markets than North America are considered. | |
![]() |
279. Probably ca 1910-20. |
![]() |
2. Probably 1920-30's. |
![]() |
296. Probably ca 1910-30. |
|
66, 197, 199. Mid 20th century, ca 1950-60. |
|
205. Mid to late 20th century, ca 1960 or later. |
![]() |
514. Probably c. 1930-60. |
![]() |
509. Probably c. 1960-70. |
![]() |
600. Probably c. 1960-70. |
![]() |
637. Mistake "CHINA" mark, either genuine and then from the Guangxu /Early Republic period, or a "mock mistake" and then new. My guess c. 1930. |
| Various places in China | |
|---|---|
|
38. Mark: Guangdong Qi Chang (Guangdong Porcelain Factory). Late 19th-20th century. |
|
387. Yuedong Qi Chang - East Guangdong Porcelain Factory |
|
603. Mark: Yang Cheng. Yang Cheng is the ancient name of Canton (Guangzhou) City, literally meaning Goat City. The picture is a pair of goats holding a vase. Possibly 1940-60's. Myth legend tells of Guangzhou was founded by Five Immortals riding five rams, each ram planted a stalks of rice grain which symbolizes abundant of harvest or prosperity. |
|
164. Mark: Yang Cheng. Yang Cheng is the ancient name of Canton City, meaning Goat City. The picture is a pair of goats holding a vase. Possibly 1960's |
![]() |
488. Mark: Yang Cheng Wu Chen Nian Zhi - "Canton Wu Chen Year Made". Matching years for "Wu Chen" are 1988, 1928, 1868, 1808 and so on. |
|
69. Zhong guo Tang Shan (China Tang Shan City). Modern mark, North Chinese porcelain factory, Ca 1990-95. |
|
110. Zhong Guo Wu Ci (China Wu Ci City). Late 20th century (probably 1980's) |
|
119. Guang Dong Gong Yi (Canton Art) on bowl with Rose Mandarin decoration, supplemented with sticker saying "decorated in Macao". Mid 20th century. The sticker might have been applied for the purpose of avoiding tax, since it actually are a sticker and not stamp, and the whole thing might be from Canton anyway. |
|
177. "Zhong Guo Sha Men" (China Sha Men City). Modern Chinese porcelain spoon. |
|
180. Mark on modern Chinese porcelain spoon. |
|
181. Mark on modern Chinese porcelain spoon. |
|
208. "Nanjing Road" is probably the famous business street in Shanghai, at its height of glory in the 1930's. |
| "Guangxu" (1875 - 1908) | |
|---|---|
![]() |
408. Guangxu Nian Zao (1875-1908). Export quality, genuine mark and of the period, dated 1887. Qiangjing enamels, text on the sides reads "Painted by Li Yan Qing in 1887".
|
![]() |
285. Guangxu Nian Zao (1875-1908). Export quality, genuine mark and of the period, probably last decades of the 19th century. |
![]()
|
194, 209. Stamped mark: Da Qing Guangxu Nian Zhi - "Guangxu period (1875-1908) made" with "CHINA" export mark. 20th century. |
![]() |
585. Mark: Da Qing Guangxu Nian Zhi - "Guangxu period (1875-1908) made". Second quarter of the 20th century. |
|
630. Dated in the inscription Republic 23rd year March Lin Dong made in Nanchong Mark: Da Qing Guangxu Nian Zhi - "Guangxu period (1875-1908) made" but dated in the inscription to 1934. |
|
381. Mark: Da Qing Guangxu Nian Zhi - "Guangxu period (1875-1908) made". Late 20th century? |
|
763. Guang Xu Qing Yu Tang Cang - "From the Guangxu Collection of the Hall for Celebrating Surplus" or "hall of celebrating bounteous harvest". Date uncertain. |
|
1322. Footed bowl. Mark: Da Qing Guangxu Nian Zhi (1875-1908). Peoples ware. Iron red stamped seal script mark. Probably Guangxu period. |
|
1364. Dish. Mark: Da Qing Guangxu Nian Zhi (1875-1908). Peoples ware. Iron red stamped seal script mark. Probably Guangxu period. |
|
1415. Small vase w elephant handles. Mark: Iron red stamped seal mark Guangxu Nian Zhi (1875-1908). Decoration signed by Xu Pinheng. On the opposite side a verse. Date c. 1895. |
| Hall's / Buyer's names | |
|---|---|
|
126. Zeng De Tang Zhi - "Zeng De Tang Made", where "Zeng" is accumulating, collecting, learning, "De" is virtue, "Tang" is hall ( there are at least three kinds - Nobles Residence, Scholars Studios, and Notable potters Studios) which could be added up as "Hall of Collecting Virtues". |
|
562. Shi Jin Tang Zhi , - "Shi" means generations, "Jin" means glory, forever glories? Probably early Republic, ca 1910-30. |
|
144. Shen De Tang Zhi - "Shen De Hall Made". This could be translated as Made for the Hall of Discreet Virtue. This mark first appeared in the Daoguang period and continued to be used until mid 20 th Century. Guangxu period (1875 - 1908) or a few decades into the 20th century. |
![]() |
299. Shen De Tang Zhi - "Shen De Hall Made". Probably early to mid 20th century. |
|
288. Xushenfang Zhi - "Xu Shen Estate Ordered / made to order by Xu Shen House". Probably early Republic, ca 1920. |
|
440. Plate says: Ru Yi Ji Xiang , common greetings. Mark says : Gui Fang Chun Guan where Gui (gather) Fang (fragrant) could be a girl's name, Chun is spring, young, tender, joy and Guan is an inn or a lodge. Tentative translations "Gui Fang's maiden lodge" or "The Spring Manse of Gathered Scents". Possibly Daoguang (1821-1850) period. |
|
291. "Guyue Xuan", Mark on Chinese Snuff Bottle, Glass, 20th century.
Since this is a modern piece the details on the "Guyue Xuan" will be dealt with at some other time and place. To summarize "Guyue Xuan" might be a Qing Court room, but no evidence has been established. Some have it, it was made by a master potter of the Qing Court named "Wu", as "Gu Yue" put together becomes "Wu", which is a common surname. Some are satisfied by "Guyue Xuan" as a referral to a particular enamels decoration. |
|
292. Da Xiong Bao Dian. "The hall of great elegance" Litt.: "Great Mighty Holy Temple". Mid to late 20th century date.
Buddhist temples are made up of several buildings, of which any central temple would have this name displayed right across at the top centre. See also # 305. |
|
286. "Yi Xiang Yuan - Joy Beauty Garden / Paradise of Joy and Beaury." Mark on Chinese porcelain erotic cup. 1970 or later. |
|
284. Transformed style of seal mark, hard to make out the meaning but, could be "Hall of Hundred Tortoises". It is 20th century and could quite possibly be a Japanese mark immitating a Chinese. The cut off corners of the double framed seal is a significant feature which the painter seems to be unaware of. |
|
323. Re Shen Zhen Cang, - "Re Shen (name) Precious Treasure". This mark is found on a large group of blue & white porcelain. The mark first appeared in the Kangxi period and became popular in the Late Qing to the Early Republic period (1900-1950). Widely used in modern replicas. |
| Decorated in Hong Kong | |
|---|---|
| Since adding enameled decoration on white porcelain is a small scale business that could be set up anywhere with very little capital, porcelain decorators probably moved from Canton to Hong Kong to set up shop there immediately by the time of its founding in the 19th century.
The Hong Kong porcelain trade hit its peak in the 1960's, with just over a hundred workshops in the Territory only. At this time the demand for Hong Kong decorated porcelain forced the workshops to also import white porcelain from Japan to be decorated in Hong Kong. Some trading agents specifically ordered plain porcelain from Japan. The quality and price appears to have been the same as the Chinese. The porcelain trade thrived until the 1970's when trade, stocks and shares and the whole city began to take off in mid 80s, gradually making the HK properties the most expensive in the world. At this time porcelain trading, who requires large shop areas, was gradually pushed out of the game. Under this headline we will try collect all marks used by the Hong Kong enameling workshops. |
|
|
376. "Chun Lung Sang", " Ci Yi You Xian Gong Ci",
"Tel 436140", Chun Lung Sang Porcelain Company Ltd.
Chun Lung Sang was a big shop in Central Hong Kong, at Queen Victoria Street just opposite the Central Market. That was the main shop. There were other shops in Kowloon and New Territory. It was first owned by Mr. Li, who had been around longer than anyone could remember. In 1964 Mr. Li sold his business then located in Shan Wan, to Mr. Fung, Mr. Young, Mr. Wong and Mr. Kung (Wa Lee Co.). It was then moved to Central, and ran there from 1965 to 1995. In 1997 a HK Concumer Council Report was released about that some decorative porcelain with heavy lead content may damage health. Labels like this seems to have been added from that time. Compare also mark # 309 |
![]() |
436. Most likely Japanese porcelain with thin, light, shallow footrim. Entirely different from most HK decorated pieces.
Decorated in Hong Kong. Dated by porcelain merchant Mr. Kung, Hong Kong to the 1960's. Dish "A" |
|
368. Stanley, Hand Decorated in Hong Kong. Mid 20th century. |
|
56. W.S.L. DECORATED IN HONG KONG |
|
179. "Decorated in Hong Kong", mark on modern porcelain spoon |
|
272. "Decorated in Hong Kong", mark on porcelain dish dated by Mr. Kung, porcelain merchant in Hong Kong, to 1960. Two dishes and marks # 272 and # 273 |
|
143. W.B.I. MADE IN CHINA. Appears to be a Canton or Hong Kong enameld vase. Early to mid 20th century. |
|
146. "Y.T. Decorated in Hong Kong". Modern "Rose Medallion" plate. Late 20th century. |
|
924. "Y.T. Decorated in Hong Kong". Modern "Rose Medallion" plate. Late 20th century. . |
|
262. Hong Kong Wing Suen Lung Added Enamels (1960). "Wing Suen Lung Factory" was owned by Mr Seto in Sai Wan Ho, East part of HK island in the 1950's. Mr. Seto ceased the business and immigrated to Canada in 1965. |
|
263."Wa Lee Factory Made" (Decorated in Hong Kong, 1960).
This mark was used by "Wa Lee Co." and was picked up from Mr Kung's shop, and dated by him, the former factory owner. No western characters were used together with this mark. The Wa Lee Factory opened on Ping Chau Island in 1953 and closed in 1968. Ping Chau is a remote small island, one hour boat journey from HK island, with only a few inhabitants. The factory was one of five or six on Ping Chau and at most employed 80 workers. The decorators was trained by experts brought there from Jingdezhen. The reason the factory was closed in 1968 might have a connection to the cultural revolution which started in 1966/67. |
|
314. "Wah Lee Factory Made" Factory Owner's dating: 1960. |
|
712. Mark: "AFC - Decorated in Hong Kong", Date: Fourth quarter of 20th century. |
|
1395. Dish. Printed mark in good quality: ACF, Japanese Porcelain Ware, Decorated in Hong Kong. Date: Most likely around 1970. |
|
1288. "Made in Hong Kong" According to family history this was ordered from China in the early 1950's. |
|
1393. Dish. Mark "Xiang gang jia gong" meaning Hong Kong Final Process meaning, decoration added in Hong Kong. Date probably 1960s or slightly later. |
|
803. Mark "Xiang gang jia gong" meaning Hong Kong Final Process meaning, decoration added in Hong Kong. Date probably 1960s or slightly later. |
| Hongxian Nian Zhi (1916) | |
|---|---|
| This mark should if correct, date to the year 1916 when Yuan Shikai made himself the Emperor of China after the Qing Dynasty was overthrown by Dr. Sun Yat-Sen in 1911. His Empire was soon ended in March 1916 and his period lasted less than 100 days. The 20 November 1915 Yuan held a political convention which endorsed monarchy. By 12 December, he proclaimed his reign as Emperor of the Chinese Empire under the era name of Hongxian i.e. "Constitutional Abundance" to begin on 1 January 1916. Due to massive opposition funding for the ceremony was cut on March 1st and he abandoned monarchism on March 22 after which he eventually died, humiliated, on the 5th of June. It is my opinion, that none of these marks actually dates to the Hongxian period but probably not earlier than the 1930s. | |
|
100. Hongxian Nian Zhi (Hongxian Period Make). The mark probably from the 1930's |
| Jiangxi Ciye Gongsi | |
|---|---|
| "Jiangxi Ciye Gongsi" (Jiangxi Porcelain company) was the largest porcelain factory in Jingdezhen during the first half of the 20th century and in general felt being the organization that replaced and absorbed much of the talent and resources from the Imperial porcelain factory when it fell in abandonment after the fall of the Qing dynasty. It was established in 1910 and eventually nationalized and its name changed to Jianguo Cichang in 1949. | |
|
169. Jiangxi Ciye Gongsi (Jiangxi Porcelain company). The most important factory in Jingdezhen. Established in 1910, nationalized and its name changed to Jianguo Cichang in 1949. This mark probably somehow related to #158. |
|
308. Jiangxi Ciye Gongsi (Jiangxi Porcelain company). Early to mid 20th C ? |
|
Jiangxi, Jingdezhen, Min Ci, # (Jiangxi Jingdezhen Reputable Porcelain Factory #) MORE >> |
|
|---|---|
|
213. Jiangxi Jingdezhen Min Ci (Jiangxi Jingdezhen Reputable Porcelain). Factory # 1. |
|
Jiangxi Jingdezhen Min Ci # Hao Cai (Jiangxi Jingdezhen Reputable Porcelain # enamel pattern) |
|
|---|---|
![]()
|
438 1,b. Jiangxi Jingdezhen Min Ci 3 Hao Cai - "Jiangxi Jingdezhen Reputable Porcelain # 2 Enamel Pattern" and same, Pattern # 3. Strangely enough the "pattern #" are different but the bowls are identical. Early Peoples Republic period (1949-1966), probably 1960's. |
|
211. Jiangxi Jingdezhen Min Ci 3 Hao Cai (Jiangxi Jingdezhen Reputable Porcelain No.6 enamel pattern). Early Peoples Republic period (1949-1966), probably 1960's. |
|
162. Jiangxi Jingdezhen Min Ci 6 Hao Cai (Jiangxi Jingdezhen Reputable Porcelain No.6 enamel pattern). Early Peoples Republic period (1949-1966), probably 1960's. |
![]() |
337. Jiangxi Jingdezhen Min Ci 8 Hao Cai (Jiangxi Jingdezhen Reputable Porcelain No.8 enamel pattern). Early Peoples Republic period (1949-1966), probably 1960's. |
| Jurentang | |
|---|---|
| Research indicates that "Juren Tang" in Zhongnanhai was the building where Yuan Shikai lived and where he had his office around 1915. Guo Baochang, an antique dealer with a good relation to the court, was appointed to arrange for imperial Hongxian wares being made in 1916. What really came out of this is still debated. One opinion is that no pieces bearing the Hongxian mark is of the period, the only possibly genuine mark of the period being "Jurentang", if any. | |
![]() |
418. "Jurentang" mark. Republic period. Family tradition has it that this vase "was originally made for an imperial or high level government official". The vase could be traced back in the family to mid 1920's-mid 1940's. |
![]() |
328. "Jurentang" 1980 or later. |
![]() |
329. "Jurentang" mark 1960 or later. Interestingly enough the front page of the plate seems to be from 1900-1920 while the foot rim and the flowers scrolls on the back side of the dish gives it away as 1960's or later too. |
| Kangxi | |
|---|---|
|
Kangxi marks are by far the richest group compared to all other period marks. Many also consider Kangxi porcelain the peak of Chinese porcelain and some Kangxi fakes are the most difficult of all to tell. Genuine marks from the period: During most of the Kangxi reign the emperor's mark was not allowed to be used, so other symbols, or frequently the nian hao of the Ming emperor Chenghua's period took its place. There could also be used just two empty circles with no mark within, or even no mark at all, or 4 character hallmarks or other symbols or marks of commendation. Late in the period the order was rescinded and a 6-character reign mark was permitted. The only time a Kangxi Imperial mark appeared without the circles was on the peach bloom wares and certain other scholar's table items and it is (almost) always 6 characters, written either in two horizontal lines or two vertical columns. Some Imperial pieces decorated at the Palace Workshops that were made late in the reign had a four character reign mark, but they are always enclosed by a double square and are almost always written in over glaze blue enamel. Copies and later marks: As a general rule, all four character Kangxi Nian Zhi marks written inside double circles or without circles are from the end of the 19th century or later. Items made in the manner of or style of Kangxi in the 19th C many times do have four character reign marks. This makes it easy to tell at a glance in most cases whether the piece is really from the Kangxi period or not. Some of these pieces are very close in style to the originals but if you compare them to genuine Kangxi wares the paste, glaze, footrim and the blue is different. Crude attempts to mimic Imperial marks are sometimes found on minyao wares but generally this is not the case on export wares, as most bear no marks. Red four character Kangxi Nian Zhi marks within a square becomes particularly popular during the 1970s. |
|
![]() |
572. Kangxi Nian Zhi - "Kangxi Period Make". C. 1900-1910. |
|
401. Kangxi Nian Zuo - "Kangxi Period Make". Early 20th Century. |
![]() |
336. Kangxi Nian Zhi - "Kangxi Period Make", c. 1920. |
|
797. Kangxi Nian Zhi - "Kangxi Period Make". Early 20th century, c 1920 |
|
675. Mark: Kangxi Nian Zhi - "Kangxi Period Make" but c. 1880. |
|
732. Mark: Kangxi Nian Zhi - "Kangxi Period Make" but c. 1900. |
![]() |
676. Mark: Kangxi Nian Zhi - "Kangxi Period Make" but from the Guangxu period, c. 1890. |
|
90. Kangxi Nian Zhi - "Kangxi Period Make" |
![]() |
332. Kangxi Nian Zhi - "Kangxi Period Make", 1960's. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
![]() |
273. Kangxi Nian Zhi - "Kangxi Period Make", ca. 1960. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong.
|
![]() |
259. Kangxi Nian Zhi - "Kangxi Period Make", ca. 1970. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
![]() |
331. Kangxi Nian Zhi - "Kangxi Period Make", 1960's. This dish is decorated in Hong Kong and the date suggested by Mr. Kung, porcelain merchant in Hong Kong. The line "ABRIGADO EM MACAO" (Greetings From Macao) mark could be a tax or export consideration. |
![]() |
412. Lidded Jar. Kangxi Yu Zhi - "Made to the order of the Emperor Kangxi". Late 20th century. |
![]() |
695. Kangxi Nian Zhi - "Kangxi Period Make", probably c. 1960's |
|
571. Mark: Da Qing Kangxi Nian Zhi - "Great Qing dynasty Kangxi Period Make". 20th century. |
![]() |
816. Mark: Da Qing Kangxi Nian Zhi - "Great Qing dynasty Kangxi Period Make". Probably 1890-1910 |
![]() |
780. Mark: Da Qing Kangxi Nian Zhi - "Great Qing dynasty Kangxi Period Make". Mark with typical "hollow line". Date probably first decades of the 20th century, 1900-1930. |
![]() |
1235. Mark: Da Qing Kangxi Nian Zhi - "Great Qing dynasty Kangxi Period Make". Probably after Cultural Revolution, second half 20th century. |
|
322. Kangxi Nian Zhi - "Kangxi Period Make". Mid 19th century to possibly early 20th century. |
|
1221. Tea canister, mark: Kangxi Nian Zhi - "Kangxi Period Make". Date: Mid 20th century. |
|
1376. Ginger jar with traditional "prunus/plum blossom" decoration. Mark: Kangxi Nian Zhi - "Kangxi Period Make". Date: Mid 20th century before 1975, and then probably also before the Cultural Revolution (1965-75). |
| Qianlong" Six Characters / Double Frame | |
|---|---|
|
261. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made", 1970. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
|
65. Mark: Da Qing Qianlong Nian Zhi - Blue and white chinese export porcelain replica/emulation. Note the crackled glaze. Late 20th/early 21th century. |
|
1030. Mark: Da Qing Qianlong Nian Zhi - (Chinese emperor Qianlong period make) but unfortunately not of the period. It is a Chinese new decorative ware not older than the 1970s. |
|
85. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Probably 20th century. |
|
339. "Qianlong Nian Zhi" "Qianlong Period Make". Modern mark, after 1960. |
|
340. "Qianlong Nian Zhi" "Qianlong Period Make". Modern mark, after 1960. |
|
247. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Tentative period 1950-75. |
![]() |
317. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made", 1960. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
|
419. Mark: Da Qing Qianlong Nian Zhi, "Great Qing Qianlong Period Make". Mid 20th Century. Marks with this wide frame is likely to be from after the 1960's and should be compared to the Macao style marks. |
![]() |
602. Mark: Da Qing Qianlong Nian Zhi Date 1940's before 1949. Cf., HA van Oort, pp. 165-167. |
![]() |
373. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Qianlong Period Make". Porcelain with this "hard" color scheme seems to be contemporary with the influece from Russia in the 1950's. Note the black top rim ruyi border, cf. #261 (1970) and #501 (1966-76). Early Peoples Republic period (1949-1966). . |
|
168. Mark: Qianlong Nian Zhi - "Qianlong Period Make". (Da Qing omitted) Tentative date: Early Peoples Republic period (1949-1966), probably 1950's. |
|
733. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Qianlong Period Make". Tentative date: 1960's. period. |
| "Made in China" | |
|---|---|
| From 1919 "CHINA" was to be replaced by "Made in China" on all Chinese export to the US. Even if "CHINA" continued to be used for a long time, we can still assume that no marks with the full text "Made in China" is from before 1919 and more likely to be from the second WW or later. | |
![]() |
494. Late 20th century. Tentative date 1980s. |
|
290. Mid 20th century, probably 1960's. |
|
631. Dated in the inscription to 1936. Mark: Made in China |
|
1105. Mark: Made in China, tentative date 1930s, possible slightly before WWII. |
|
560. "Hand-painted decoration, Made in China" Probably 1960's. |
|
442. "Hand painted Made in China", Mid 20 century, probably 1960's or later. |
![]() |
3. Mark: Qianlong Nian Zhi - "Qianlong Period Make". Export seal mark. "MADE IN CHINA". In the smudged area between "MA(DE IN) CHINA" and the seal mark, there seems to be the beginning of "Zhongguo (.. Jingdezhen China?)" which would indicate a date from the 1950's until present. Mid 20th century. |
|
168. Mark: Qianlong Nian Zhi - "Qianlong Period Make". (Da Qing omitted) Tentative date: Early Peoples Republic period (1949-1966), probably 1950's. |
| MING DYNASTY MARKS - but not of the period | |
|---|---|
| All marks in this section are somehow referring to the Ming dynasty. They are with no exceptions from after the Ming dynasty and up until today in some cases. Real MING marks that actually are of the period, plus a type chart, is available here >> |
|
|
107. Da Ming Chenghua Nian Zhi (Great Ming Chenghua Period Make). Late 19th century, probably around 1860's. |
|
673. "Chenghua Nian Zhi" (Chenghua Period Make). Probably Guangxu (1875-1908) period. |
|
275. "Chenghua Nian Zhi" (Chenghua Period Make). Probably second half of 19th century, "Kangxi revival" period. |
![]() |
532. "Chenghua Nian Zhi", Before 1910, probably Guangxu period (1875-1908) |
|
396. Xuande Nian Zhi ( Xuande Period Make). Second quarter 20th Century. |
![]() |
301. Da Ming Chenghua Nian Zhi - "Ming Dynasty Chenghua Period Make". This is possibly from the 1990's. After Simon Kwan's exhibition of 20th century high quality porcelain even late pieces were immitated and this might be one of them. |
![]() |
1349. Da Ming Chenghua Nian Zhi - "Ming Dynasty Chenghua Period Make". Mark appears to actually be printed, date probaly contemporary. |
|
625. Yongle Nian Zhi - "Yongle Period Make", but modern - c. 1990's. The bowl possibly made in Thailand. |
|
773. Yongle Nian Zhi - "Yongle Period Make", but modern - c. 1990's. The bowl possibly made in Thailand. |
|
383. Mark: Yong Le Nian Zhi - "Yong Le Period Make". |
|
265. "Yongle Nian Zhi" (Yongle Period Make). Mid 20th Century. (The bowl surprisingly comfortable to drink tea out of.) |
![]() |
300. "Da Ming Chenghua Nian Zhi". Probably last quarter of 20th century. |
![]() |
491. Mark Da Ming Chenghua Nian Zhi but probably 1990's. |
![]() |
492. Da Ming Nian Zhu - Great Ming Period Make. Modern ? |
![]() |
496. Da Ming Jiajing Nian Zhu - "Great Ming Jiajing (1522-1566) Period Make". Modern. |
|
372. Chongzhen Nian Zhi, "Chongzhen (1628-44) Period Make". The mark appears as written by somebody who do not know Chinese even if the "Nian" character is good. Uncertain date. |
| QING DYNASTY | |
|---|---|
| The best way to organize Qing dynasty seems for now to be by style. Seal marks are in the style of a seal and not difficult to tell. Song marks are in a hand written form and in Song's style of writing, then there is Ming, Qing, Republic, modern and after Cultural Revolution style of writings etc, this is a most specialized and difficult subject, and no books has as far as we know dared to touch on this yet, but being a true Viking I'll go about doing this soon, with the help of my Asian friends, who often can read even very complicated texts and seals. |
| Qianlong Nian Zhi (Qianlong Period Make) | |
|---|---|
| In these marks the dynasty Da Qing (Great Qing) is omitted, which usually is a pretty surefire sign that the mark is not of the period. All marks below are not of the period. See individual marks below for approxmate date | |
| Following marks are in zhuanshu (archaic seal script) which technically speaking is drawing, and not 'hand-writing' per se. None of the following marks are of the Qianlong period despite that they say so. See comments next to each individual mark for an approxmate date. | |
|
193. Mark: Qianlong Nian Zhi - "Qianlong Period Make". Stamped seal mark. Mid 20th century |
|
339. Mark: Qianlong Nian Zhi, "Qianlong Period Make". Modern mark, after 1960. |
![]() |
420. Mark: Qianlong Nian Zhi - "Qianlong Period Make". Early to mid 20th century. |
![]() |
521. Mark: Qianlong Nian Zhi - "Qianlong (1736 - 1795) Period Make". Seemingly authentic Straits Chinese market porcelain. |
|
254. Mark: Qianlong Nian Zhi - Ca. 1990-95. |
|
248. Mark: Qianlong Nian Zhi "Qianlong Period Make". |
| Following marks are in Kaishu (normal script) style. This is the present-day regular script, which has been in existence now for almost 2000 years. As opposed to seal script, which is drawing, this is hand writing. None of the following marks are of the Qianlong period despite that they say so. See comments next to each individual mark for an approxmate date. | |
|
1394. Mark: Qianlong Nian Zhi - "Qianlong Period, Made", tentative date Early Republic, c. 1930 |
|
260. Mark: Qianlong Nian Zhi - "Qianlong Period, Made", 1970. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
![]() |
335. "Qianlong Nian Zhi" "Qianlong Period Make". From the 'realistic' look of the decoration despite the small scale of the available picture, I would like to suggest a date to around 1950s on this piece. |
|
1089. Mark: Qianlong Nian Zhi - Qianlong Period Make, early second half of 20th century. The crisp and slightly 'naïf' style of the decoration is charateristic of the period immediately before the cultural revolution. |
|
1377. Mark: Qianlong Nian Zhi - "Qianlong Period (1736-1795) Make". The crisp and slightly 'naïf' style of the decoration is charateristic of the period before the cultural revolution that started in 1965. The use of black and orange rust colored enamels is very typical of the very last years of the 1940s. Date: Mid 20th century.
. |
|
414. Mark: Qianlong Nian Zhi - Qianlong Period Make. Due to the shaky lines in the decoration I would like to suggest a date on this vase to around the 1970s or later. |
|
1372. Mark: Qianlong Nian Zhi - Qianlong Period Make. Japanese moriage decoration imitation. Suggested date; 1990s or later. |
|
1073. Mark: Qianlong Nian Zhi - Qianlong Period Make. Second half of 20th century. Due to the shaky lines in the decoration I would even like to suggest a date on this vase to around the 1970s or later. |
|
311. Mark: Qianlong Nian Zhi - c. 1990-95. |
|
253. Mark: Qianlong Nian Zhi - c. 1990-95. |
|
304. Mark: Qianlong Nian Zhi "Qianlong Period Make". Stamped export seal mark with "MADE IN CHINA". The "poisonious glaze" warning label seems to indicate a date after 1970. |
|
315. "Qianlong Nian Zhi", Close resemblance to mark # 314, enamels added in Hong Kong 1960 by Wa Lee Company. |
![]() |
316. Mark: Qianlong Nian Zhi - Enamels added in Hong Kong, 1960 by Wa Lee Company. |
![]() |
320. Mark: Qianlong Nian Zhi - Enamels added in Hong Kong, 1960 by Wa Lee Company. |
![]() |
318. Mark: Qianlong Nian Zhi - Enamels added in Hong Kong, 1960 by Wa Lee Company. |
|
422. Mark: Qianlong Nian Zhi "Qianlong Period Make". |
|
255. Mark: Qianlong Nian Zhi "Qianlong Period Make". |
|
198. Mark: Qianlong Nian Zhi "Qianlong Period Make". |
|
132. Mark: Qianlong Nian Zhi "Qianlong Period Make".Qianlong Nian Zhi "Qianlong Period Make". Probably early 20th century. |
|
87. Mark: Qianlong Nian Zhi "Qianlong Period Make". The special calligraphy of this mark should be compared to # 134, 115 and 263. For the time being I would like to suggest that this mark is a Hong Kong mark from the 1960's. |
|
397. Qianlong Nian Zhi "Qianlong Period Make". Mid 20th Century. |
|
405. Mark: Qianlong Nian Zhi "Qianlong Period Make". Late 20th century. |
| Da Qing Qianlong Nian Zhi (Great Qing [Dynasty] Qianlong [Period (1736-1795)] Make) | |
|---|---|
| Following marks are in zhuanshu (archaic seal script) which technically speaking is drawing, and not 'hand-writing' per se. None of the following marks are of the Qianlong period despite that they say so. See comments next to each individual mark for an approxmate date. | |
|
65. Mark: Da Qing Qianlong Nian Zhi - Blue and white chinese export porcelain replica/emulation. Note the crackled glaze. Late 20th/early 21th century. |
|
1030. Mark: Da Qing Qianlong Nian Zhi - (Chinese emperor Qianlong period make) but unfortunately not of the period. It is a Chinese new decorative ware not older than the 1970s. |
![]() |
317. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made", 1960. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
|
85. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Probably 20th century. |
|
1410. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made". Possibly decorated in Hong Kong, around 1960-90. . |
|
313. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made" Information gained by Mr. Kung, porcelain merchant in Hong Kong, this is decorated in Hong Kong around 1960. . |
|
1078. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made" Probably decorated in Hong Kong around 1960. . |
|
77. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Gu Gong Fu Zhi (Palace Museum Replica Producation), Before 1990. |
|
172. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Mid 20th century or later. |
|
281. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Plate probably from the 1930-40's period. |
![]() |
413. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Qianlong Period Make". |
![]() |
297. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Qianlong Period Make". Probably 3rd quarter of 20th century. |
|
261. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Dynasty, Qianlong Period, Made", 1970. Decorated in Hong Kong. Date by Mr. Kung, porcelain merchant in Hong Kong. |
|
340. "Qianlong Nian Zhi" "Qianlong Period Make". Modern mark, after 1960. |
|
247. Da Qing Qianlong Nian Zhi "Great Qing Qianlong Period Make". Tentative period 1950-75. |
|
419. Mark: Da Qing Qianlong Nian Zhi, "Great Qing Qianlong Period Make". Mid 20th Century. Marks with this wide frame is likely to be from after the 1960's and should be compared to the Macao style marks. |
![]() |
602. Mark: Da Qing Qianlong Nian Zhi Date 1940's before 1949. Cf., HA van Oort, pp. 165-167. |
![]() |
373. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Qianlong Period Make". Porcelain with this "hard" color scheme seems to be contemporary with the influece from Russia in the 1950's. Note the black top rim ruyi border, cf. #261 (1970) and #501 (1966-76). Early Peoples Republic period (1949-1966). . |
| Kaishu (normal script) style. As opposed to seal script, which is drawing, this is hand writing | |
|
733. Mark: Da Qing Qianlong Nian Zhi - "Great Qing Qianlong Period Make". Tentative date: 1960's. period. |
|
282. Mark: Da Qing Qianlong Nian Zhi. Meaning: "Great Qing Qianlong Period Make". Black gilded lidded jar, tentative date 1950's-60's |
|
184. Mark: Da Qing Qianlong Nian Zhi. Meaning: "Great Qing Qianlong Period Make". Modern Chinese porcelain spoon. Date: Late 1960's to c. 1990. |
|
513. Mark: Da Qing Qianlong Nian Zhi. Meaning: "Great Qing Qianlong Period Make". Modern Chinese porcelain spoon. Date: Late 1960's to c. 1990. |
|
403. Mark: Da Qing Qianlong Nian Zhi, Meaning: "Great Qing Qianlong Period Make". Date: Late 1960's to c. 1990. |
|
377. Mark: Da Qing Qianlong Nian Zhi, Meaning: "Great Qing Qianlong Period Make". Date: Late 1960's to c. 1990. |
|
914. Mark: Da Qing Qianlong Nian Zhi, Meaning: "Great Qing Qianlong Period Make". Date: Late 1960's to c. 1990. |
| Taiwan | |
|---|---|
|
185. Mark: Da Tong Yao, Taiwan, (Da Tong Kiln, Taiwan). Mark on modern Chinese porcelain spoon. |
| Tang Shan Porcelain Factories, from 1920s | |
|---|---|
| Tang Shan is a city in Hebei province. In 1976 the Tang Shan earthquake wiped out the entire city. Tang Shan has produced porcelain of good quality but less known then it southern competitors Jingdezhen in Jiangxi province and the Liling kiln in Hunan but has produced grand pieces in similar styles. The 1965 Tangshan Ceramic book tell there were three major porcelain factories in Tangshan from 1920s. The Qi Xin Factory, first established in 1924 and changed name to Tangshan 5th factory around 1950s, sub-divided to Yue Feng Sub-division Factory in 1958. The second factory was the De Cheng factory and the third, the Xin Min factory.
Picture: Tang Shan De Cheng Factory, ca 1930 | |
![]() |
1325. Vase of eggshell thinness. Tangshan 4th Porcelain Factory, Yue Feng Sub-division, ca 1960. Mark reads from left to right, first line says 唐山西(Si (fourth))陶 (Tang Shan Si Tao), The forth character 陶 means pottery. The second line reads 裕丰分厂 (Yu Feng Fen Chang). 裕丰 is the name of the company and 分厂 basically means branch factory which gives us Yue Feng Sub-division Factory. |
![]() |
1326. Teapot. Mark: Min Gou Tang Shan Tangshan Bone China, Made In China, modern export porcelain, c 1960-90. |
![]() |
1327. Plate. Mark: Min Gou Tang Shan Tangshan Fine Bone China, Made In China, modern export porcelain, c 1960-80. |
![]() |
1328. Vase decorated in green monochrome glaze. Mark: unclear but probably Min Gou Tang Shan, date c. 1960-80. |
| Tongzhi Nian Zhi - Tongzhi Period [1862-74] Make | |
|---|---|
| For all practical purposes I have decided to think of all hand written Tongzhi marks as of the Tongzhi period and those who are stamped, as later and with few exceptions of the later Guangxu period (1875-1908). So far this seems to make sense with the certain exception of marks from the Cultural Revolution period, when Tongzhi marks enjoyed an unexplained popularity on items decorated in Macao or Hong Kong. One complicating matter is also that some seal marks that looks stamped could well be hand drawn or, stamped and then manually touched up. In those cases I think we can assume that the piece is of the period. | |
|
287. Tongzhi Nian Zhi - "Tongzhi (1862-74) Period Make". Handwritten and probably of the period. Unfortunately we don't have a picture of the piece. |
![]() |
1323. Teapot with sepia decoration from Journey to the West. Mark: Tongzhi Nian Zhi - "Tongzhi Period Make". Mark most carefully hand drawn to look like a neat seal. Possibly of the period. |
![]() |
298. Tongzhi Nian Zhi - "Tongzhi (1862-74) Period Make". Stamped mark, probably Guangxu period or slightly thereafter. . |
![]() |
754. Mark: Tongzhi Nian Zhi - "Tongzhi Period Make". Stamped mark, dating to after the Guangxu period comfirmed by date in the inscription "made by Cheung Wen-tai in the winter of 1909", inscription meant to congratulate people on a bright and promising career etc.
|
![]() |
489. Bowl. Mark: Tongzhi Nian Zhi - "Tongzhi (1862-74) Period Make". Probably Guangxu period or later |
|
269. Tongzhi Nian Zhi - "Tongzhi Period Make". Probably not antique. The date is uncertain and no picture of the piece is available for help. The mark is similar to mark #107 but the general looks seems to suggest Macao decorated porcelain from third quarter of the 20th century. |
| Zhongguo Jingdezhen Zhi - China Jingdezhen made (<- R to L)
MORE >> |
|
|---|---|
| In around 1953 to 54, almost all the factories in Jiangxi were merged into larger units, each made up by ten to fifteen previously independent smaller factories. The use of alphabetic characters and numbers in the marks also seems to have started around this time. Long time porcelain merchant in Hong Kong, Mr. Kung, was when asked by Simon Ng on this, of the opinion that =09= and similar, were names assigned to each of the factories in Jingdezhen by the Communist Party. When asked if a factory could have more than one number, he also said that as far as he knew there were only one number for one factory. Now this doesn't match with reality since in long runs of the same pattern there seems to be different characters appearing at random. Recently I have also been asking around some in Jingdezhen, and the latest info on these letters are that the mark "=D=" etc doesn't have any meaning. They were simply put onto export wares to look nice. This really matches with the lack of system we have noticed so far and can possibly be true for the last decades, but was it so in the beginning? The research contiues. One possibility is that the marks did have an organisational importance in the beginning but that the marks after some time got garbeled. | |
|
235, 236. Zhongguo Jingdezhen Zhi - China Jingdezhen Made, factory # D |
![]() |
519. Zhongguo Jingdezhen Zhi - China Jingdezhen Made, factory # D |
![]() |
1189. Zhongguo Jingdezhen Zhi - China Jingdezhen Made, factory # 21 |
| Zhongguo Jingdezhen CHINA =#= | |
|---|---|
|
75. Mark: Zhongguo Jingdezhen, CHINA, =D= - China Jingdezhen. Mark from a square flask with 4 landscapes by Wang Yeting (1884 - 1942), one of the "eight friends of Zhushan", dated 1937. It is unlikely that the date of the painting in this case matches the mark which should date to the mid 1950's or later. |
|
271. Zhongguo Jingdezhen - China Jingdezhen. Mark from two gilt on coral ground dishes. Dated by Mr. Kung, porcelain merchant in Hong Kong, to the 1950's. Similar dishes are still being made. |
|
274. Zhongguo Jingdezhen - China Jingdezhen. Dated by Mr. Kung, porcelain merchant in Hong Kong, to 1980, which seems like a large jump from the very similar # 271 above. |
|
567. Zhongguo Jingdezhen - China Jingdezhen. Porcelain vase made in "Jingdezhen" in 1968 to mark the Chinese cultural revolution, led by chairman Mao. Decorated with Tian-An-Men Square and Hua Biao surrounded by a group of sun flowers. Text on Balloons with ribbons are "Chairman Mao lives long life", "the Communist Party lives long life" and Mao-Zhu-Xi-Wan-Sui "Chairman Mao's revolutionary route have success and live long life". |
|
Jingdezhen Ci Ye Gong Si Chu Pin (Jingdezhen Porcelain Company Production) |
|
|---|---|
|
158. Jingdezhen Ci Ye Gong Si Chu Pin (Jingdezhen Porcelain Company Production). Mark probably somehow related to # 169. |
|
216. Jiangxi Jingdezhen Chu Pin (Jiangxi Jingdezhen Production) |
| Wanyu | |
|---|---|
| Wanyu appears on Chinese porelcelain from the Kangxi period and onwards. The mark shows the characters for (top) plaything/to play and (bottom) jade. The meaning is rather abstract but can perhaps be translated as "jade trinket" or "antique porcelain as fine as jade". The mark first appeared in Kangxi but has been used well into the 20th century. It is also one of the marks used on later Bleu de Hue porcelain for the Vietnamese market | |
|
1251. Small vase, coral red enamels with stamped gilt decoration. Height 11 cm. Mark: Wan Yu. Date: Late Qing to Early Republic. |
|
34. Mark: Wanyu, "jade trinket". Porcelain appears to be Bleu de Hue from around 1900. |
|
1205. Plate, mark: Wanyu. |
|
1206. Bowl. Mark: Wanyu. This mark appears to be applied with a rubber stamp, underglaze blue decoration transfer printed. Date probably 1925-45 or later. |
| Wen | |
|---|---|
| Wen, a Chinese surname | |
|
1368. Bowl. Mark: Wen. A chinese surname, also the word for script, writing. Date; late 20th century, probably around 1990. |
| Zhong Guo, Zhong Yi, Jingdezhen (China, Zhong Yi (factory), Jingdezhen) | |
|---|---|
|
121. Zhong Guo (China), Zhong Yi (factory name), Jingdezhen. Underglaze bl/w eggshell bowl bought in Jingdezhen 1992. |
| RECENT ADDITIONS - UNSORTED | |
|---|---|
|
45. Mark imitating a lacquer seal, with mythological animal |
![]() |
1436. Vase. |
|
389. "Niu" Chinese surname, possibly the name of the artist. Probably 1950's |
|
380. "Qian Men, Quan Ju De" (Front Gate, Quan Ju De ( Restaurant )). Quan Ju De is a symbol of Old Peking, the famous Peking Duck shop opened in 1864. Front Gate, the city gate - was built in Yuan and original named Li Zheng Men. During Ming it was renamed to Zheng Yang Men which name has been kept until now, more commonly called Qian Men. |
![]() |
91. Kangxi style Artemisia leaf, c. 1950. |
![]() |
430. Yong Qing Chang Chun Cerebrating Forever Endless Spring. Da Ya Zhai - Grand Elegant Court. Copy of porcelain made for the Empress Dowager Cixi, this bowl probably from the Guangxu period. |
![]() |
436. Most likely Japanese porcelain with thin, light, shallow footrim. Entirely different from most HK decorated pieces.
Decorated in Hong Kong. Dated by porcelain merchant Mr. Kung, Hong Kong to the 1960's.
Click here to see large picture, dish A |
![]() |
481. Wang Qi Name Seal copy of "Wang Qi", one of the Eight Friends of Zhu Shan, specializing in figure drawings and Running Calligraphy. Modern, c. 1990-2000 |
|
524. Gao Po, China. "Gao Po" is probably the name of a town. It is unclear though, in which way Gao Po is related to the porcelain. |
![]() |
601. Jie Zhu Zhu Ren Zuo - The Master of Jie Zhu Made. Name Mark or Collector's Mark, first appeared in the Daoguang (1821-50) period. Likely date for this mark is mid 20th century. |
![]() |
617. Decorated i a combination of mille fleur and famille noire. Guangxu period / Early Republic, c. 1900-1930's |
![]() |
443. Wei Yi Zhai - "The Singular (one and only) Studio", 4th quarter 20th century.. |
|
713. Modern porcelain figure. Signature of the Artist: "...hand made by Lam Wai Tung". Late 20th century. |
|
745. "Good luck" vase. China, mid 20th century. Mark: "Yong '?' Tang (hall) Made. On the inside a sticker saying "Made in the Peoples Republic of China". |
|
1391. Tureen. China, mid 20th century. Mark: "Yong '?' Tang (hall) Made. On the inside a sticker saying "Made in the Peoples Republic of China". |
|
1406. Tea set, eggshell porcelain, China, first quarter of the 20th century. |
This entire marks section would not have been possibly without the dedicated help of Mr. Simon Ng, City University of Hong Kong whose translations and personal efforts in researching the origin and dates of the different marks is and has been an invaluable resource.
This section was originally initiated by a donation of marks from the collection of Karl-Hans Schneider, Euskirchen, Germany in July 2000. The section have since then been greatly extended by several contributors such as Michaela Russel, Australia, Cordelia Bay, USA, Walt Brygier, USA, Bonnie Hoffmann, Harmen Lensink and Simon Ng, Hong Kong. Readers are invited to supply any information and further marks you might have.
All material submitted by visitors and published anywhere on this site are and remain the copyrighted property of the submitter and appears here by permission of the owner, which can be revoked at any time. All expressed opinions are my personal, based on photos and the owners submitted descriptions, and are not to be used for any financial or commercial decisions but for educational and personal interest only.
Web page © Jan-Erik Nilsson, 2000-2008.