Description of the Twenty
Illustrations of the Manufacture of Porcelain

By Tang Ying, Director of the Imperial Factory at Jingdechen,
in obedience to an Imperial edict... (1743)

3. Burning the Ashes and Preparing the Glaze

"All kinds of porcelain require glaze, and the composition used for glazing can not be prepared without ashes. The ashes for the glaze come from Lo-p'ing-hsien, which is one hundred and forty li to the south of Jingdezhen.

They are made by burning a gray-colored limestone with ferns piled in alternate layers. The residue - after it has been washed thoroughly with water - forms the ashes for the glaze.

The finest kind of petuntse made into a paste with water is added to the liquid glaze ashes, and mixed to form a kind of purée, the proportions being varied according to the class of porcelain.

Within the large jar, in which the mixture is made is placed a little iron pot, through the two handles of which a curved stick is passed, to make a ladle for measuring the ingredients. This is called a p'en. For example, ten measures of petuntse paste and one measure of ashes form the glaze for the highest class of porcelain. Seven or eight ladles of paste and two or three ladies of ashes form the glaze for the middle class. If the paste and ashes are mixed in equal proportions, or if the ashes are more than the paste, the glaze is only fit for coarse ware.

In the picture the little iron pot which is seen floating inside the large jar is the p'en or, measure."

Page credit and sources
This page is based on an English translation by S. W. Bushell, first published in 1899, of a Chinese text compiled under imperial command in 1743. The author was Tang Ying, the superintendent of imperial porcelain production in Jiangxi. The text has been widely reprinted in later literature. The version generally regarded as the most authoritative is preserved in the Provincial Annals of Jiangxi (Jiangxi tongzhi), Book 93, folios 19 to 23. An earlier draft appears to have been written around 1735. In 1743, the text was incorporated into a set described as the “Twenty Illustrations of the Manufacture of Porcelain,” compiled under imperial auspices. The original illustrations associated with this set have not been securely identified. The present page is edited to more modern language in 2025, and illustrated with photographs taken on site in Jingdezhen in 1991 and 1992, by Jan-Erik Nilsson